PROJECT 2: FILEFRONT LINK

http://www.gamefront.com/files/21652203/Levels.zip

PROJECT 2: Model and Electroliquid concept development

# 1 Combining:

 -  Kengo Kuma - Introduction of light through the skins porosity provides an integration into the environment

 -  Alva Aalto - Mimicking nature forms in the building assembly as a way to integrate with nature

 

The base is meant to mesh into the surrounding environment. The structure is open in several parts, allowing constant interaction with nature.

A shaft over the top introduces light into the structure, which then bounces along the structure, allowing light to inhibit the interior almost entirely.

PROJECT 2: Parallel projections

# 1 Combining:

 -  Kengo Kuma - Introduction of light through the skins porosity provides an integration into the environment

 -  Alva Aalto - Mimicking nature forms in the building assembly as a way to integrate with nature

Electroliquid concept:

The idea of light seeping through vertical skins and exasperating the space, trying to form together with nature.

 #2 Combining:
 -Kengo Kuma - Reflection as a way to create infinite space and ambiguous boundaries and alters spatial awareness
 - Alva Aalto - Verticality of the elements stresses importance in the landscape

Electroliquid concept:
The idea of confined space in order to create a sense of reflection that alters space perception where vertical frames constrict the motion.

 #3 Combining:
 -Kengo Kuma - Introduction of light through the skins porosity provides an integration into the environment
 - Alva Aalto - Verticality of the elements stresses importance in the landscape

Electroliquid concept:
Light is introduced through a main shaft and bounces along the randomly placed walls, creating a sense of wide space despite constrained vertical planes.

PROJECT 2: Process Notes

The themes were consulted against each other before alterations were considered in infusing the electroliquid aggregation.

PROJECT 2: Crysis models

combined model in crysis

positioning Model(mimicing nature) in crysis

PROJECT 2: Combined Axonometric drawings (First Attempt)

Combining Kengo Kuma's idea of reflection and Alva Aalto's mimicing nature.

Combining Kengo Kuma's idea of introduction of light and Alva Aalto's mimicing nature.

PROJECT 2: Axonometric sketches

Kengo Kuma

Dispersal and fragmentation resulting in the building's envelopment by the landscape 

Introduction of light through the skins porosity provides an integration into the environment.

Reflection as a way to create infinite space and ambiguous boundaries and alters spatial awareness.

Alvar Aalto

Mimicing Natures forms in the buildings assembly as a way to integrate with nature.

Rhythmic arrangement of elements mimics the tactility of the forest. 

Verticality of the elements stresses importance in the landscape.